Six Principles--the principles of beauty
In The Analysis of Beauty Hogarth implements six principles, which independently affect beauty. Although he concurs that those principles have an effect, he is not determinate on their specific influence.
1 The first principle of beauty Hogarth describes is ..fitness,
which is not in itself a source of beauty, but can be described as a material cause of it. Though the account of fitness on the total beauty of an object is only moderate, it is a necessary cause. Fitness does not necessarily imply purpose. However, improperly implied forms cannot be the source of beauty. It is in this that the necessity of fitness must be seen: if not accounted for, a form cannot readily be assumed beautiful.
which is not in itself a source of beauty, but can be described as a material cause of it. Though the account of fitness on the total beauty of an object is only moderate, it is a necessary cause. Fitness does not necessarily imply purpose. However, improperly implied forms cannot be the source of beauty. It is in this that the necessity of fitness must be seen: if not accounted for, a form cannot readily be assumed beautiful.
2 The second major principle of beauty is ...variety.
It is the source of beauty, which Hogarth shows us by the contrary notion of "sameness":
"sameness", a lack of variety, offends the senses. "The ear is as much offended with one even continued note, as the eye is with being fix'd to a point, at the the view of a dead wall."
In contrast, our senses find relief in discovering a certain amount of "sameness" within a varietal experience.
It is the source of beauty, which Hogarth shows us by the contrary notion of "sameness":
"sameness", a lack of variety, offends the senses. "The ear is as much offended with one even continued note, as the eye is with being fix'd to a point, at the the view of a dead wall."
In contrast, our senses find relief in discovering a certain amount of "sameness" within a varietal experience.
3 The third notion of ...regularity
is understood as a form of "composed variety": it only pleases us when it is suggestive to fitness.
is understood as a form of "composed variety": it only pleases us when it is suggestive to fitness.
4 Similar to this notion in effect is.... simplicity,
which enhances the pleasure of variety in that it pleases the eye. The variety which causes a beautiful experience should, so to speak, be tempered by simplicity. On the other hand: simplicity without variety at best does only not displease.
which enhances the pleasure of variety in that it pleases the eye. The variety which causes a beautiful experience should, so to speak, be tempered by simplicity. On the other hand: simplicity without variety at best does only not displease.
5 ...Intricacy is a strange principle
in that it does not directly follow from the formal behaviour of a beautiful object. Hogarth means by this the habit which causes us end up in the whirling game of pursuit, when bit by bit discovering the beauty of an object. Intricacy arises from the love of this pursuit. Every difficulty in understanding or grasping the object enhances the pleasure of overcoming it, in order to continue the pursuit. There is a direct connection here to the Line of BeautyHogarth dictates, along which every image is built up. Though the movement of our eye is discrete in itself, the movement of our "Mind's eye" follows a duplicate course of the line, a principal ray of light moving along with the line of sight. The continuous movement of our "Mind's eye" triggers the notion of intricacy.
in that it does not directly follow from the formal behaviour of a beautiful object. Hogarth means by this the habit which causes us end up in the whirling game of pursuit, when bit by bit discovering the beauty of an object. Intricacy arises from the love of this pursuit. Every difficulty in understanding or grasping the object enhances the pleasure of overcoming it, in order to continue the pursuit. There is a direct connection here to the Line of BeautyHogarth dictates, along which every image is built up. Though the movement of our eye is discrete in itself, the movement of our "Mind's eye" follows a duplicate course of the line, a principal ray of light moving along with the line of sight. The continuous movement of our "Mind's eye" triggers the notion of intricacy.
6 ..Quantity, finally,
is associated with the notion of the sublime which, when Hogarth's book appeared, was not yet entirely distinguished from the apprehension of beauty. Hogarth thus does not speak of sublimity, but of greatness. He recognizes a great quantity to have an aesthetic effect on the beholder without the necessity of a varietal or fitting form. This should not be exaggerated, as that might lead to absurdities
is associated with the notion of the sublime which, when Hogarth's book appeared, was not yet entirely distinguished from the apprehension of beauty. Hogarth thus does not speak of sublimity, but of greatness. He recognizes a great quantity to have an aesthetic effect on the beholder without the necessity of a varietal or fitting form. This should not be exaggerated, as that might lead to absurdities
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